THE ABA MASONIC TOWN PLAN
fig.not shown
On the grounds of St. Michael’s Anglican cathedral Aba is a marked and
chained grave, with a lot of history. The man lying beneath is Charles, John D
D..wa (1862-1936)who served as Bishop of the Niger
from 1933to36, and one the figures who
must have been behind the Masonic map
plan of Aba. He
was a regular mason and might have also been linked to many other arcane and
esoteric organizations. History has it that he came to Aba in middle to end
1800’s and found Aba very conducive for development as the natives had at first
welcomed them with open arms
fig. not shown
He was instrumental in the establishment of St.
John’s parish Osusu which at the time was just a local church, used
to convert natives and which was probably at the centre of land conscription in
the area under the British Empire.
A second look at the plan reveals information that was not
first noticed by our research team. From the new design one sees a more
elaborate plan with deeper hidden mysteries which, we have tried to unravel. By
adding imaginary lines using the rules of geometry a complete pyramid with a
compass manifests under the hand previously thought to be pointing upwards. The
compass seems to obey the laws of perspective with one point appearing shorter
than the other as it points to the center of the square. The other point
appears longer while seemingly touching the top point of the second pyramid.
To the east one sees a figure thus:
fig. not shown
on top of a
rectangular box like design which kind of slips under the one of the arm of the
large square towards the old town cemetery.
We find it thus, a remarkable design depicting the burial of
Hiram Abiff as well as the landscape of the great pyramid in Gizeh. The same
pyramid historians have linked to Khufu, “the pyramid of Cheops”.
The other pyramids both linked to Khafre and Menkuare are
not depicted.
In this interpretation the figure we had shown above
represents the sphinx, the wise “lion man” of the desert. A chimera of four
animals in the ancient Egyptian view i.e. man, lion, eagle, bull. The first two
being used mostly to describe qualities, which according to ancient esoteric
principles represent alchemical air and fire…….
The sphinx is facing “east”, and overlooks the “Nile”, here
represented by the Aba
River commonly known as
‘waterside’.
Historians who view Egypt as the cradle of stone masonry and
as such the best example of the beginning of our “craft’ will be in agreement
with this design as it shows the landscape of Egypt as archeologist believe it
must have looked back on 4000bc or so. No wonder the Masonic year is said to
have started right about the same period.
As at that time and beyond, Egypt was ruled by a series of Semi
divine kings. Writers such as Hancock
and Bauval refer to them as the ‘”followers of Horus”; and who according to
evidence instituted or possessed a secret king making ceremony, before
3150-3100BC. According to history, Menes was the first of a series of 8 rulers
whom Manetho the Egyptian sage and historian, referred to as the rulers of the
1st dynasty in Ancient Egypt. So by the unification of both lands
about 3150-3100BC, Menes symbolically signified Horus, who unified the upper
kingdom and lower kingdoms of Egypt
in what we term in modern times as ‘Egyptian mythology’.
Another significant fact is that at that time or probably
during a later period, there existed two temple pillars in Upper and Lower Egypt.
The one in Lower Egypt was at Annu or Heliopolis also known
as ‘On’ in the bible, which represented “Establishment”, perhaps erected when
Menes had conquered and established himself as king over the lower land, and
the other at the temple at Thebes to signify the might of Menes who had
attacked from the upper kingdom.
This Temple was probably where, during the later middle Kingdom period,
when Memphis had been decimated and they were being ruled by the ‘Hyksos’, a
desert tribe who invaded Egypt, the Egyptian priest hood put up a resistance
against the invaders.
So Thebes was also later seen
as the spiritual ‘stronghold’ of Egypt in religious matters, thus
the pillar represented “Strength”.
In ancient Egyptian mythology, the ‘self
-creating’ god Atum creates or gives
birth to two children Shu and Tefnet; Shu and Tefnet gives birth to Geb and Nut
or Nuit; Geb and Nut then gives birth to four children namely Osiris, Seth,
Isis and Nephtys. These are the ‘ennead’ or group of nine deities.
Osiris is killed by his brother Seth and is decapitated into
seven parts which Seth buries in seven different parts of Egypt. Isis,
consort of Osiris, travels all over Egypt recovering all the seven
parts, she puts them together and copulates with the dead Osiris to give birth
to Horus.
Horus ruled over Lower Egypt
while Seth ruled the upper kingdom. Then Horus becomes the crowned and conquering
Lord of both kingdoms, by avenging his father’s death; in some versions he
kills Seth to rule over Upper and Lower Egypt and
in other versions, Geb overrules Seth and strips him of the upper kingdom, then
hands it over to Horus.
The Templar connection:
According to legend(rites of Aebrmln) this tradition was
brought by Moses who had grown up in the pharaohs household and trained as a
prince from Egypt to Canaan and it
finally reached Israel; and was later ‘instituted’
by the tribe of Judah whose symbol is also “the Lion”.
David’s son Solomon built the first temple and in front,
were two pillars representing the same principles. After the destruction of the
first temple, Zerubbabel on his return from exile in Babylon built a second temple. It was done
with a sword in one hand and a trowel in the other.
Some historians claim that this second temple had gone
through some dilapidation, when Herod decided to rebuild and his temple was
finished sometime around 60-68AD, then it was destroyed in 69, 70 or 76 AD
thereabout. It was claimed that a
spiritual sect had buried some of their wealth and knowledge under this temple
before it was destroyed, and perhaps what was discovered in terms of ‘knowledge’
was used by nine knights (Hugues de Payen et al) to found The Knights Templar
around 1118AD. It has also been suggested that Hugues de Payen was married to a
Sinclair and the Roslyn chapel in Scotland
has the same floor plan as the temple
of Herod destroyed in 70
AD.
“Da Vinci” connection:
LEONARDO DA VINCI 1452-1519 AD ; 15th-16th
Century, is described in Hamlyn’s Encyclopedic World Dictionary as: Italian
painter, sculptor, architect, musician, engineer, mathematician, scientist.
He is also known for
two famous paintings, “La Gioconda” (The ‘Mona Lisa’) at the Louvre museum Paris, and the “Last
supper”. The latter was commissioned by
the Monks of Santa Maria delle Grazie ‘to be painted on a wall of the refectory
of the convent’, which he completed in 1498. It has been written that the moment
chosen for the illustration is, when Christ pronounced the words “One of you
shall betray me.”
Scholars have held that these two paintings together
hold keys to information some refer as a
‘code’ of sorts; more so elaborated upon by copies of the ‘last’ painting by other painters after Leonardo,
who might have shared the same view.
The first key to this
code may be in the name of the artist himself, seen in certain quarters to
represent the constellation of Leo, the zodiacal Lion and the fifth sign. This is also reminiscent of the leonine
features of the famous Sphinx of Egypt. This fact can be guessed, by reading
both paintings in the right light. The information can also be divined from a
meticulous search in comparison, through the elucidated writings of Hancock and
Bauval, in their 1996 epochal volume “The message of the Sphinx”.
Leonardo was said to have shared the same views as the
Templar’s, though by his time no known Templar organizations existed in the
open, not after the burning on the stake of John Demolay, the grand master of
the knights in the 1300’s
Fig not shown
In the ‘last supper’ painting ,it is said that Leonardo
shared a view held by an ancient ‘sect’(Johaninne) and the ‘Merovingian knights’
that Jesus left a bloodline in secret, and the Magdalene was a
receptacle(Grail) for this. He painted both Jesus and Mary Magdalene as a
couple or a “mirror” of each other.
The ‘sect’, reputed to be a group which held John the
Baptist in high esteem, and which, it was later claimed Jesus joined through
baptism by John.
The painting shows the figure of Jesus sits in the center of
the table and reaches as if to pick a piece of bread, egg or stone like round
object, with his right hand, while he seemly displays the third rock like
object with his left. In between these is a second stony object.
Viewing the stones as representative of the three pyramids
at Gizeh, the ‘Leo’ code mentioned above points Christ out as the Sphinx, a
statue worshipped by a desert tribe from the Harran
desert as Christ was worshipped by the Magi in his cradle. Coincidentally these
‘Chaldean priests’ were known to sojourn into the Harran
desert to meditate and were perfect astrologers. So according to Davinci,
Christ (the sphinx) seems more connected to Cheops (the Khufu) pyramid than the
other two (Khafre and Menkuare). This may also allude to secret connection
between the Kingdom in Jerusalem
and the secret king making rituals of the followers of Horus.
In this light Christ becomes the crowned and conquering
child Horus who unites both upper and lower kingdoms, heaven and earth. This
might also lead us to read new meanings to the second Chapter of Mathew (the
visit from the magi), with special attention on Vs 13 to 23 (ten verses in
all). In v 15 is revealed what the Lord had said through the prophet “Out of
Egypt I called my son.”
In viewing Christ, as the son of David, the ‘Lion’ of Judah
and heir to the crown, the code opens up a portal to the searcher and
observer.
In the message from the Sphinx Hancock and Bauval reveals
the Orion mystery. They show that the three pyramids represent the ‘belt of
Orion’ in the Orion constellation in the Sky. They also showed how the horizon
may have looked in the periods before Menes, and make a good argument for
dating the pyramids later than 4000,5000 or 7000BC, in fact they seem to
pinpoint 10500BC, while Davinci puts it at 11000BC through his code if well
deciphered.
As at that time, with the other pyramids intact and the Nile flowing nearby the landscape looked this:
Figs not shown
This seems like a good representation of Orion on the ground
according to Hancock and Bauval. The star is the sphinx; the three pyramids are
Khufu, Khafre and Menkaure, with the Nile
flowing besides and mirroring the Milky Way.
One gets the feeling that this if translated to Hebrew, which
if you read it to be the heiro -script of priests of Egypt spells “JA”, Yod and
Aleph, and shows the first two letters in “Jaweh” and in roman figures “IX”
represents the number nine, the Egyptian Ennead. Hugues de Payen and his eight
knights total 9.
From the heavens the opposite becomes the reality the Hebrew
translation reads AJ, Aleph –Yod and the Roman numerals XI =11, the number of
the sephiras in kabala if you include the sphere of ‘Daat,’ “knowledge”
So we take it the Bishop probably viewed Christ in the same
way the Templars or Davinci did; perhaps the same way he is viewed in the AASR,
York rite and probably other masonic rites which
lean towards the ancient and primitive rites of Egypt.
Let’s consider the other masonic links of the town plan
shall we;
In the figure representing the Sphinx we have “constitution”
crescent on which is a notable street “Santa
Maria”. Constitution is a word used in regular masonry
to differentiate as we say customs and usages. And Santa Maria delle Gracie is the name of the
monastery which commissioned Davinci’s “Last Supper” in the 15th
century. After Howells crescent in the same neighborhood, you get “Scotland”
crescent. The land
of Templar’s and the country
of the Sinclair’s and where Roslyn chapel is located. Taken with constitution
crescent we have “Scottish Constitution” which founded, consecrated and built the
first and only Masonic temple in Aba.
Close by is York street, “York” was a “craft” rite in
England that is extant there, but still
remains a rite in masonry that offers up to 11 degrees in some versions and 33
degrees in others; it’s well steeped in templar rituals.
Ehi road can be translated to English as Cow road. C.O W.
Corn, oil, and wine, gifts king Solomon gave to King Hiram.
East Street
which leads to the waterside or East of the view of the Sphinx. Masters Stand
‘due’ east in craft masonry.
The “cemetery”: The
Masonic significance to Hiram having been mentioned, I would like to draw your
attention once again to the cemetery area, where as we can see the designer
seems to have included some perspective.
Looking at the end of the square that ends by cemetery
market, one notices a ‘slant’. This is intended to depict in a sense,
perspective. Like the end of the e square is slightly lifted on that side,
while the end of the square starting at Calabar Street appears flat. If you
notice the compass on top of the Pyramid, it does not seem to be in position on
any degree.
So to correct this, imagine moving the compass slightly towards 45 degree angle NE. you will notice that the
shorter point of the compass will land of top of the square at Calabar street
while the longer end will slip under the raised end of cemetery where it will
be buried and ready for ‘work’ on the right degree. This degree is also the
portal for the higher degrees of Mark Master, Royal Arch, and Rosé Croix etc. And
in order to proceed under the “Scottish Constitution”, you will have to reduce from
3 to 2; now there lies another mystery on the map, which I’ll leave for those
with the keys to solve.
Viewing the compass and pyramid as a huge clock, the hand
holding the compass while pointing is at tilling time 12noon the big hand is at
9 while the little hand of the clock is at 3. The time is 3:45 another key into
the “Chapter”. Then you will also notice that these numbers have something in
common. 3,9,12.
3+9=12 and 12 reduces to 3 etc. But they are also missing
something; which is the number 6.
If you include the missing number you get the cardinal
points represented thus 12, 3, 6 &9 or progressively 3, 6, 9, 12. These are
progressions of threes. Any student of the “Goetia” will see that these are the
lesser key of Solomon.
Besides if you cross multiply 12 by6 and 3 by 9 you will get
a mirror number 72, 27 they both reduce to the number 9=7+2. Looking at it from
another view point 22 is the number of parts on the tree of life and the number
of the Hebrew alphabets. It reduces to
the number 4; also2x2=4. While 77 is a very mystical number in lamechian terms.
7x7 =49.I’ll live those versed in the Babylonian ‘evocation’ system to fill in
the blanks.
Now by using the reduction system in qabalah, 49 reduces to
13 which relates to the base figure and dimensions of the great pyramid and
also a full moon circle for a year. 13
also reduces to 4
72 is a number esoterically linked to ‘Shemhamphorash’ which
in turn relates to the aforementioned key of Solomon. 27 and 72 both relate to
the magic square number 108 ie72=36 by 2, while 36 by 3=108. In the same vein
27 by 4=108; now 3and 4 relate magically in a very mystical way in the way of
the “Rose”
But that’s not all. If you follow the progression you will
get to 15 thus 3, 6,9,12, and 15. Fifteen is a special number for fellows of
craft it also the “lamechian” number of the chambers in the ark of Noah.
Looking at these numbers one can readily see the number of Endeavour lodge
under the rolls of the Grand Lodge of Scotland 1593; this achieved by jumping backwards over two numbers one at a time; the
two numbers are 6 and 12 the same numbers which total 72 when multiplied; the
key of Solomon. The regalia of Lodge Endeavour has two crossed keys depicted on
it as part the design.
Lastly for the cinch, we also think that the name ENDEAVOUR
is a cipher for “EDEN” “OUR”“AV “; an allusion
to Garden Avenue
on top of ‘St
John’s Pyramid’. It also seem like it was chosen as an
inspiration to ‘try’ to solve the mystery; to continue from the point where the
previous masons stopped.
So therefore by
placing Lodge Endeavour under the second pyramid in 1963, the colonial masons bequeathed
within it’s safe depository, the final keys to the Map.
Bibliograph/theque;
MESSAGE
OF THE SPHINX; Hancock and Bauval
HIRAM
KEY; Christopher knight and Robert Lomas
THE ORION
MYSTERY; Robert Bauval and Adrian Gilbert
GOETIA; Compiled and Translated by S.L. “MacGregor”
Mathers; Editing and Additional Material by Aleister Crowley
ENCYCLOPEDIC
WORLD DICTIONARY; Hamlyn
CHAMBER’S
ENCYCLOPEADIA; N.R.E VOL 5
HOLY
BIBLE; NIV
THE
HUNDRED BEST PICTURES; Arranged and Edited by C. Hubert Letts
ANCIENT
EGYPTO BABYLONIAN RITE OF MAGES AND LAMECH OF NINEVEH; Rectified rite of Memphis
LEONARDO DA VINCI
1452-1519 AD (15th-16th Cent.) “Magus” ©2012 by Frater: A.: A: Menkheru
AKHUNATEN’S WORD; ©2012 by Fra :. Tau Ar-Mn-Kohene-Aten
ANCIENT AND PRIMITIVE RITES OF MEMPHIS
AND MIZRAIM;
THE CRAFT; Irish Constitution
GOOGLE EARTH; ©2010 Google
LAST SUPPER; Leonardo da Vinci
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